Picasso

Picasso isn't "someone draws on someone." It's a controlled handover: you get exactly one say in what's about to happen — what gets drawn, where it lands, or who's holding the pen. The other two are out of your hands. The table decides.

That's the bit that makes people hesitate. Whoever hit the wedge stands there working out which lever is actually worth pulling, while everyone else is already arguing over the two they didn't get to choose. Someone always claims the steadiest hand in the room. Someone else is quietly rolling up a sleeve to hide it before Monday. Half the fun is watching the negotiation before a single line gets drawn.

If you trust nobody's drawing, take "who" and put the marker in the hand least likely to embarrass you. If you can stomach a bad picture but not a bad spot, take "where" and steer it somewhere sleeves cover. Trying to control all three is the one move that's off the table — and pointing that out to whoever forgets is half the fun of throwing this one.

It sits in the 3rd Circle, one of the board's mid-sized rings, so it turns up often enough to be a running joke by the end of the night rather than a one-off. Enough rounds in, most tables have a house rule for it before anyone admits they made one up.